In our guidance corner this week we give ideas for independent and DIY artists on how to prep their music for a vinyl pressing, make far better concert posters, stay away from widespread mistakes when placing together an electronic press kit, and significantly, significantly more.
Tag Archives: Music
In this edition of our look back by means of the previous seven days of business news, we examine SFX’s continued action against Robert Sillerman, Pandora and Shazam‘s additions to their respective platforms, Spotify’s recent enormous payout, and considerably, significantly far more.
Our specialist tips for DIY and indie artists this week cover a range of subjects, from what to count on when functioning with studio musicians, to how you can inform if you are sabotaging your band’s good results, to how you can drastically enhance your digital approach making use of just two words.
An additional Friday, one more Liv Buli Reading List. Buli, the information journalist for Pandora’s Next Large Sound, frequently sees what is going to matter before the rest of us and fortunate for us, she shares it with us lesser beings on Hypebot .
By Liv Buli of Pandora’s Next Big Sound
When I wake up Saturday morning, till I don’t forget I don’t have to go to function that day.
No rest for the wicked, nor the music sector it seems. An additional week of massive stories dropping, from acquisition talks, to main milestones, to huge hiring moves. Here’s what you ought to know ahead of you head out for the weekend.
Spotify and SoundCloud have reportedly been in talks about acquisition. No comment from either party yet, and nothing has actually occurred yet, so y’all can calm down. It would be an exciting move. Between characteristics like their social neighborhood and the capability for music makers to directly upload tracks SoundCloud has something actually distinctive, but I am not completely certain how they would marry these services in practice. Tbd. Potensh.
YouTube hired Lyor — clutch move. Has it truly been three years because Google invested in 300? They are killin it btw (300 that is).
iHeart announced their intention to launch an on-demand service. Immediate reaction? You get a streaming service! You get a streaming service! Everybody gets a streaming service!
Oh and of course, all the deets on Snapchat’s (Sorry, Snap, Inc.) new spectacles.
Thumbprint Radio (from Pandora) hit some main milestones this week, among them five billion+ spins. If you haven’t listened to your private thumbprint radio station however, I’d very recommend it (though mine truly only plays Adele).
On the Predictions chart this week — A younger, far better(?) version of One Path, some seriously bizarre YouTube pop, and Cynthia Meng’s preferred band ever — Vulfpeck.
Alisa Xayalith from The Naked and Popular is amazing, and their new album is going to be sick. Right here are ten motives why you need to listen to it.
And in graphs this week: a spike on Wikipedia for Mary J. Blige, as nicely as for the Bruce Springsteen track she sings, soon after this teaser of what seems to have been an… ahem… eventful chat with Hillary Clinton went reside.
Now. This is a conflicting moment for me. Let’s be clear: #imwithher
Nevertheless. This has to be one particular of the most uncomfortable, awkward videos I have ever been witness to in my entire career of watching uncomfortable, awkward videos on the web.
I mean, Hillary’s face.
Dear lord, please fire whoever believed this was a good idea.
That is all I’ve got for roundup this week, go forth and conquer the weekend! Until we meet once more. ?
Skrillex and a Time Machine by Deviant Art user Mushroom-in-fence
The phrases “Electronic” and “Dance Music” have turn into so synonymous more than the past 30 years that it is tough to bear in mind that there was a time, before Kraftwerk, when no one had thought to put the two together.
I can just about bear in mind, when I was in single digits, the sort of electronic music my father liked to listen to in the early 70s. Occasionally it took the kind of very abstract squiggles of sound on strange records with 1950s era depictions of atoms on them. A lot more typically, it came in the kind of Progressive Rock, lengthy suites of intensely cerebral electronic symphonies. I nonetheless have a lot of affection for those Prog records my Dad’d play, as I’d listen entranced, imagining my own extraterrestrial planetscapes taking kind in the virulent green of our 70s shag carpet, but let’s face it. You cannot precisely dance to this sort of issue:
Clink the link for this proggiest of Rick Wakeman Yes wibblefests
Listening to the rest of Kraftwerk’s breakthrough album, Autobahn, it is understandably simple to hear the wibbly space-rock of Kommetenmelodie and the gothic atmospheres of Mitternacht, and place them as element of the identical, cerebral tradition. Except anything occurred to Kraftwerk in 1975. They toured America for the 1st time, they went to New York City, and they found discoteques.
Ralf, dans la Discothèque
It doesn’t sit easily, does it, the image of uptight, self-conscious, semi-autistic Ralf, strutting his stuff on the dance floor? In truth, it’s precisely the idea that Mike Meyers lampooned in Sprockets (the music is, tellingly, Kraftwerk sped up a bit, though the character was reportedly based off an encounter with Klaus Nomi). Much of Flür’s needling of Hütter in print seems to boil down to the observation that Ralf as a young man was seriously uncomfortable with his personal physicality and not specifically enamoured of possessing a body.
Now is the time on Sprockets when we dance!
I imply, it’s absurd, the notion of obtaining a body. To really feel like a thoughts, an intellect, trapped inside this rotting bag of meat, complete of bacteria and oozing with fluids. Grotesque! And sex… the idea of taking these fleshy appendages, lubricating them with a bit of mucus, and rubbing them up against a single another… it is vile, isn’t it? Getting a body is outrageous and undignified, to have to schlepp around one’s brain in a meat-locker, like a “tired soccer mom schlepping her little ones around in a station wagon” as a former bandmate of mine after place it.
Until one particular day, you find out dancing. The freedom of the dancefloor, the compulsive rhythm of the beat, and in dance, getting a body is not an imposition or a liability, but a joyous, wonderous experience of liberation and release. And suddenly, the appeal of rhythmically contorting one’s fleshy appendages in close proximity of a member of one’s preferred gender, wow, that concept becomes enticingly incredible. I was a sprecky, uncool teenager, hopeless at sport, but I produced these astonishing discoveries of the possibility of bodies in the discos of New York for myself, in the late 80s. I undoubtedly like to imagine Ralf and Florian getting a related knowledge in 1975.
Ralf and Florian, displaying off their moves
To be fair, discoteques had been not an American invention as the French name would imply, they were invented in Paris. (Ironically, the Germans were responsible, as the Nazis banned reside music in French dancehalls.) But it took New York, with its dazzling profusion of nightlife, to actually ideal the synthesis of drinking (and lots more chemical enhancements in addition to), the dancefloor and the DJ. Around 1974 or 75, an explosion happened in African-American dance music, as the syncopated party beat of Funk met the sophisticated sheen of Soul, and Disco erupted onto dance floors, a shockwave that echoed outwards across Europe and the States from its epicentres in New York and Philly.
Lot of rock bands on the other side of the Atlantic, from the Rolling Stones to Rod Stewart, tried going disco in the late 70s, as a sales gimmick or an attempt to keep relevant. But Kraftwerk didn’t go disco, so much as Kraftwerk and Disco collided, and each mutated. Disco changed Kraftwerk, as Ralf and Florian became dedicated devotees of the dance floor. But Kraftwerk, too, changed disco.
By 1975, the mixture of fast-paced dance beat and luxurious soul voice merging into a swooning simulacrum of sexual ecstacy on the dancefloor was currently in location. Donna Summer time, Queen of the Disco, was ruling the dance floors of New York City with a song that sounded like this:
Donna Summer – Really like To Enjoy You Infant
It’s sinuous and seductive, but the instrumentation of acoustic drum kit, electric guitar, bass and string section remained primarily unchanged because the 50s. Following Kraftwerk, Donna Summer and her producer, Giorgio Moroder, hooked themselves up to the Machine, and in late 1977, the sound of the future was genuinely born.
Donna Summer time – I Feel Adore
Back in Düsseldorf, a slightly miffed Florian had to reassure fans that Ralf had not been replaced with a sexy American lady, as a lot of individuals mistook the track for the newest Kraftwerk single.
To be fair, Kraftwerk were experimenting with dance music as early as 1973, as Ralf und Florian’s Kristallo and Tanzmuzik show. (Well, to be fair, pre-Kraftwerk Ralf and Wolfgang were both playing 60s beat music in dancehalls as early as their late teens. No, actually, there had always been a dance element to at least half of Kraftwerk.) But it’s genuinely by the Trans Europe Express album that Kraftwerk had got inside dance music and dance music had got inside Kraftwerk.
Showroom Dummies frequently gets credited as the 1st dancefloor smash for Kraftwerk, but it’s the first track on that album that demonstrates to me just how far disco had got into their DNA. Really early reside performances of Europe Endless from the 1975-76 tour show that it began life as a fairly diverse song, with a shaeffel beat and a weird electronic blues progression in the bass sequencer:
Europe Endless, reside in 1976
By the album’s release in early 1977, the song was pure streamlined Euro-disco. The arpeggiated chords propelling the rhythm are run through the echoing doubled delay that would supply Giorgio Moroder’s signature production its lift and bounce. Kraftwerk had been employing octave-hopping synthesised basslines given that at least Autobahn, but on Europe Endlos, the bass has been syncopated ever so slightly to match the distinctive shuffly hi-hat cymbal, straight off a disco dancefloor.
Europe Endless – I’ve gone over my YouTube limit for this post, so please click on this hyperlink to examine the final album version
Metall Auf Metall, despite the fact that not strictly electronic, except in the Music Concrete sense (the metallic sounds truly have been recorded employing hammered sheet metal in the studio) was the track that launched a thousand samples (and even far more lawsuits), as the song really took off in New York’s discos. DJs began to mix the clanging industrial beats of the extended middle section of Trans-Europe Express into longer and longer remixes, switching back and forth in between two decks to hold the beat going for ecstatic, trance-like lengths. Hearing the outcome on the dancefloor for themselves, this strategy so impressed the songwriting nucleus of Kraftwerk that they started employing it for themselves.
I’ve gone more than my video limit again so you’re going to have to click the link and pretend this is a video for Spacelab.
On Man Machine’s Spacelab, the band dispensed with even the fundamental formula of a pop song, selecting alternatively to dive from the sparse introduction straight into an ecstatic throb. It sounds like the extended dance remix of some missing original, with only the bones of the supply track’s stems displaying by means of the eiriely detached floating melody, and the endlessly repeated, vocodered title.
By Computer Planet, the line among song and extended dance remix had become so blurred that the joyous pop bleat of Pocket Laptop, with its speaking calculator solos, blends seamlessly into the funky electro maelstrom of Numbers, ahead of mutating yet once again into an extended mix reprise of the title track.
Tour de France has so several remixes and extended dance 12 inches, that it’s almost not possible to tell which version is the original.
Yes, that is Tour de France in the original Breakin’
By Electric Cafe / Techno Pop (the album that Ralf practically remixed out of existence – its release was reportedly slated for release, and then recalled at the final minute somewhere around 6 instances – altering the title at least 3 instances, after even following it was already released in some nations) this approach had turn into reductio ad absurdum. There actually are only two, maybe 3 actual songs on the record the rest consists of increasingly abstracted remixes in the style that was coming to be known as House. As jams, yes, they’re amazing, taut and funky, but the trick of jumping from writing the pop song to releasing the remix appears to have skipped the critical step of actually writing a memorable song.
But the synergy of Kraftwerk and dance designs from Disco to Electro to Home shows a single of the extremely uncommon – possibly exclusive – instances of music by white musicians not just poaching or shamelessly thieving from African American genres, but actively collaborating and providing back.
Red Hot Chili Peppers’ new music video for the disco-flavored “Go Robot,” which was shot more than two days in Brooklyn, was directed by Thoranna Sigurdardottir (Zelos, Noah).
It was inspired by and recreates classic scenes from Saturday Night Fever and characteristics the identical locations utilized in the film. Dancer and performer Stephanie Crousillat (Punchdrunk’s Sleep No More) tends to make a cameo.
The band’s new album, The Getaway, which was created by Danger Mouse and mixed by Nigel Godrich, Is out now.
[UPDATE two] It really is no secret that Pandora is about to launch a Spotify like on-demand streaming music service. Precisely what type it will take and how it will differentiate from the competition could turn into considerably clearer tomorrow.
Pandora is pushing hard to put the final touches on the label offers needed to launch a paid on-demand streaming music service. The aim is to give CEO Tim Westergren a main announcement to share when he hits the stage for an interview at the Citi’s International Technologies Conference in New York on Wednesday afternoon.
Westergren’s appearance will come within hours of Apple’s massive unveiling and could calm jittery investors.
“As I’m typing this, I’m told Pandora nevertheless does not have all of the labels locked down,” recode’s Peter Kafka wrote early Wednesday afternoon. “But that sort of pre-launch brinksmanship in between a music service and music labels is not uncommon, and these items frequently get resolved in the hours prior to a deadline.”
$ 5 Per Month Alternative
In addition to a new Spotify-like $ 10 per month offering, Pandora will launch a $ 5 version that delivers much less flexibility than the new premium tier, but adds functions that go beyond its totally free digital radio service, like limitless skips.
“The $ 5 provide will be killer for them,” an business insider told the Post. “Pandora has 76 million users that listen for totally free. It will have an less difficult time to get them to pay $ 5, so you may see some people switch back to Pandora.”
Independent DIY artists gather ’round! We have a multitude of helpful ideas for you this week, from how to advance a show like a pro, to YouTube optimization for musicians, to five truths about advertising and marketing which artists have ignored for far also long. All this plus far more!
Earlier today, we reported that synch licensing internet site Music Dealers had shut down leaving several artists that created music offered via the website upaid. Now, Eric Sheinkop, the founder who raised much more than $ 9 million to fund Music Dealers but has because left to co-found shopping startup desirelist, has responded to the closure:
“It was nothing short of a privilege to be element of the group that founded Music Dealers in 2008 and grew it to a company that, by the end of 2014 had paid out millions of dollars to emerging artists and earned a spot on Inc Magazine’s list of America’s Quickest Developing Organizations.
When I left in early 2015, I was proud of all that we had achieved and confident in its continued development. It saddens me that Music Dealers is facing these challenges and I still remain hopeful that they can discover a resolution that will assist the company recognize its potential as soon as once again.” – Eric Sheinkop
More: $ 9 Million Later, Music Dealers Abruptly Shutters Sync Licensing Service, Musicians Go Unpaid