Watch: Joan Cusack and Neil Patrick Harris Wear Funny Wigs and Some Undesirable Stuff Occurs in the First Complete Trailer for ‘A Series of Unfortunate Events’

Reality is a series of unfortunate events, and so alas, the 1st trailer for Lemony Snicket’s A Series of Unfortunate Events actually looks like even a lot more of a cute diversion than all its collective misfortunes already were to start with. This is, after all, a planet exactly where your imply uncle is Doogie Howser with a prosthetic nose, exactly where youngsters understand to do chores so as not to turn into spoiled assholes, and exactly where Joan Cusack wears this fantastic judge wig, for…she plays a judge:


What could be so poor?

Certainly, several people who were kids in the 90s will come to this trailer hunting for anything to love or hate, and for these, like me, who skipped A Series of Unfortunate Events and for that reason are coming to it searching for absolutely nothing in certain, Joan Cusack in an amusing wig appears like a substantial takeaway.

But Neil Patrick Harris — as Count Olaf — also looks to be an enjoyably bumbling villain, and will inevitably be significantly less Jim Carrey-ish than Jim Carrey, so that is definitely anything. As noticed above, the trailer depicts some of his a lot of disguises.

We see Aasif Mandvi playing Uncle Monty, the always-excellent Alfre Woodard (most recently observed in yet another Netflix series — Luke Cage — as Mariah Dillard) playing Aunt Joesphine, Christopher Guest-normal (sadly missing from Mascots) Catherine O’Hara playing Dr. Orwell, K. Todd Freeman ushering the Baudelaire young children around at the beginning as the banker Mr. Poe, and Patrick Warburton narrating as Lemony Snicket. 

The series premieres on Netflix on January 13, with an eight-episode first season.

Watch the trailer:


‘Absolutely Fabulous: The Movie’: Soon after All These Years, As Funny and Vicious As Ever

You know you are in America when you’re the one laughing hysterically throughout the Completely Fabulous film, and performing so in a largely silent theater. The charms of Edina and Patsy have never quite translated across the Atlantic — portion of this is due to both the series and this long-awaited film draw heavily upon British cultural references, but also due to the fact the nature of Ab Fab‘s comedy is one thing that is never been commonplace on this side of the Atlantic.

Even in relatively sanitized type — this film appears like everybody involved had a blast producing it, and it’s much more like a celebration to which absolutely everyone remotely linked with the Tv show more than the years was invited than something else — Ab Fab is vicious. If American comedies are dark, they’re self-consciously so  shows like It is Always Sunny in Philadelphia may possibly as properly have “OMG Look HOW DARK THIS IS” plastered across the prime of the screen throughout the episode. The protagonists are antiheroines in that, taken objectively, they’re fairly awful people — Edina is a terrible mother, Patsy is fundamentally terrible in each and every respect, and both of them are avatars of a topic that the show ridicules mercilessly, i.e. boomer consumerism of the assortment that masks itself in wellness and yoga and all such things.

Taken in isolation, the interactions in between Patsy and Edina’s permasquare daughter Saffron are strikingly nasty — this interchange, for instance, would In no way appear on US Television, no matter how “dark” the comedy in question fancied itself as becoming:

Even in this film, the Saffy/Patsy war continues, with Patsy reprising her classic “Oh, you little bitch troll from hell!” line near the end of the movie. This comes after Edina has accidentally killed Kate Moss by pushing her into the Thames even though vying with a fellow publicist for her interest, and subsequently fled to France, Patsy and Saffy’s non-square daughter Lola in tow, exactly where they hole up in a fancy resort by dressing Patsy up as a man and marrying her off to an ancient and really wealthy dowager baroness. It is nonsense, of course, but it’s not really the point — as ever, Ab Fab remains an exercising in character study, and its characters stay as compelling as they are funny.

And, despite it all, they also stay immensely likable. Ab Fab wouldn’t operate if the viewer wound up hating Eddy and Patsy, and part of the show’s genius is that you end up rooting for the duo in spite of how hilariously ghastly they can be. At Elle, our former Editor-in-Chief Judy Berman suggests that Ab Fab‘s closest US relative is Broad City, whose characters, especially Ilana, can be destructive, but in no way malicious. So it goes with Ab Fab, really — despite her awful mothering skills, Eddy does enjoy her daughter, and Patsy really does enjoy Eddy, and so on.

And in each situations, the protagonists’ messiness is just an aspect of their characters, not their defining function. Abbi and Ilana drink and smoke dope and finish up in the occasional compromising circumstance due to the fact that’s what mid-20s girls do their penchant for undertaking those items isn’t the be-all and end-all of the characters. Similarly, Eddie and Patsy’s legendary appetite for Stoli, Bolli and something else they can lay their hands on is best since it fits their characters down to a tee they’re defiantly and desperately hedonistic due to the fact that is what ageing hippies fighting off the inexorable march of reality are like.

In this respect, they’re spot-on satires of capitalism and consumerism. (It is hardly an accident that satirizing boomers and satirizing capitalism go collectively like the proverbial horse and carriage.) Eddy and Patsy have defined their lives by their pursuit of the ephemeral and the fundamentally pointless, by continuous and conspicuous consumption of the sort that’s like filling up on candy — it’s satisfying for a moment, and shortly following you feel empty. This is a realization to which Eddy eventually comes (as she and Patsy sit in a vehicle that’s sinking slowly into a swimming pool) — but, crucially, a single that she’s pleased to discard when it transpires that Kate Moss is in fact not dead, she is no longer Britain’s most hated lady, and she can go back to London and preserve doing what she’s usually completed. Plus ça alter, and all that.

Oh, and a special shout-out to the outfits worn by Eddy’s wonderfully daffy PA Bubble, which have lengthy been a highlight of the show, and which do not disappoint here. Our preferred is a coin toss among a hashtag… point, to which I’ll have to link simply because otherwise we’ll get in problems, and this ensemble:


Anyway, if you have loved the Ab Fab Television show more than the years, go see the film. If not, you may find your self like the 50-anything critic in the seat subsequent to Flavorwire at the press screening, who sat largely stony-faced throughout the film and whispered loudly to his companion at a single point that “There are jokes, but I do not get them.” Don’t be that guy. You are missing out on a great deal.