Holidays Hustle: eight Approaches To Promote Your Band Or Brand


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By indie rapper Kosha Dillz

  1. Start off an quick sale for your whole catalog on band camp – Now is the time  to give. It is the giving season. not the taking season. Set a cost on all your albums for your super fans. Not everyone desires you for christmas or hannukah, but some men and women do. Digital sale means no mailing , they get it instantly, and every person is much more than content!
  2. 12 days of christmas / eight nights of hannukah post – You never have to celebrate holidays to give the support and really like on promoted posts to your pals. Put up eight or 12 pics of your friends and things you are fan of to help other individuals. People will really like your list. It also draws activities every day and  is a cool structure piece of content
  3. Send vacation postcards to your supporters – This isn’t a way to entirely make cash, but a great way to invest in your special individuals. Post a Facebook or tweet about your postcards, and men and women will adore the truth that you are doing it. Handwritten notes are golden and everyone loves actual mail!
  4. Give out warm clothes to the needy / homeless on snapchat –  Nothing wrong with snapping a day of giving back? It encourages everybody to be in the holiday spirit and be giving. Take pics and make other folks pleased as they reside vicariously through what you do, and encourage them to be giving in the upcoming days, months, and years.
  5. Vacation song or video release – never to late to make an extra holiday song to release to go viral. Don’t forget when As well Brief did the Hannukah song? It was wonderful. Also, Matisyahu has a popular hannukah song that gets played at every party, as properly as Adam Sandler. It may well be time for a new a single to be made.
  6. Buy gifts for your fans, close friends, and business peeps.- Man. The a lot more you give this season, the much more they will purchase kind you in the year. If you do not sell a lot of merch on the web but, why do not you run a gifting contest where you send men and women free of charge merch and random goodies for fans , pals, and industry? Men and women will keep in mind that forever. It will get you a couple of far more conversations, and it is way much less creepier than acquiring it for a individual you are interested in that is not interested in you! Trust me. Wouldn’t you really like for me to purchase you book?
  7. Holiday Contests – Certain. How about we run a contest on getting my new album , t shirt, plus a present card for starbucks.  Everybody enters their e-mail and by the finish of the contest you get 200 emails for the holidays. I adore getting into things like that. Me and Flex Mathews when won something and got totally free trip to san francisco in a good hotel, and slept in a quite swanky hotel
  8. Advantage show or align with charity – Every person in their right thoughts is often thinking about providing, specifically if they have large fan base. Aligning oneself with a excellent trigger from planned parenthood to The Front Row Foundation, which puts terminal ill men and women in the front row of their request (from concerts to baseball games) will constantly get people for a gathering. Last year at my Hannukah celebration, Dave Bautista came out for the very good cause and  was put in the bar mitzvah chair. Carrying out excellent issues will always draw out the very good people, and you by no means know who is in town for holidays. They may well never come to a show of yours, but this time they come out for the great cause.

I feel of 8 as a miracle number simply because if turned sideways, eight is infinity. Forever and ever there will be two ways we appear at the end of the year. This is our time off. Or this is our time on. I usually choose to be on, given that I do not get charged for the electric bill of my personal life! Tis the season to be providing, and capitalize on the chance, aka “the most wonderful time of the year.” 


image from shemspeed.comIf you are in Los Angeles, hit up kosha  at rapperfriends and take him out for coffee. If you want to book him for a show, always hit and also ask him about how he charted on Billboard this year with his album WHat I do All Day and Pickle and buy a t-shirt to preserve his dream alive. If you are in yet another country, email kosha to say hi.


The Ice Man: A Tribute to Blues Fantastic Albert Collins

Albert Collins is a blues guitar legend.

Nicknamed the Ice Man, the Houston, Texas, ax slinger employed the “chilly” theme for the titles of many of his most celebrated songs, such as “The Freeze,” “Frosty,” “Thaw Out,” “Snow Cone,” “Don’t Drop Your Cool” and “Ice Pick,” and the album titles Ice Pickin’ and Frostbite.

I had the great fortune and honor to get to know Albert and carry out with him on one quite memorable occasion. He was a warm and great man who was well loved by his band and constantly deeply engaged with his fans.

Born Albert Gene Drewery on October 1, 1932, Collins—who died of cancer at the age of 61 on November 24, 1993—was introduced to the guitar by his cousin Lightnin’ Hopkins and taught to play by an additional cousin, Willow Young, utilizing an unconventional open F minor tuning in conjunction with a capo.

An early influence was Clarence “Gatemouth” Brown, who also employed a capo. Albert adopted the exact same instrument as Gatemouth, a Fender Esquire, with which he cut his early records. He later switched to his signature “maple cap”–necked, all-natural ash body 1966 Fender Telecaster, equipped with a Gibson humbucking pickup in the neck position, although he utilized the bridge pickup most of the time.

FIGURE 1 illustrates a first-position Fm chord. To attain an open tuning that replicates this sound, the sixth, third, second and very first strings are raised 1 half step, and the fifth and fourth strings are raised 1 and a half actions. For this lesson, I’m employing open E minor tuning as an alternative of F minor. The structure of both tunings is the exact same, but it is easier and a lot more convenient to get in and out of open E minor tuning. As shown in FIGURE 2, just raise your A and D strings up a entire step to B and E, respectively. The resulting tuning is, low to high, E B E G B E.

With a capo placed at the third fret, strumming across all six open strings sounds a Gm chord (see FIGURE 3). If we fret the third string 1 fret above the capo with the index finger, a G major chord sounds. (All tab numbers shown here are “true.” Notes tabbed at the third fret are played “open,” and the other numbers reflect the actual frets). FIGURE four illustrates a G7 arpeggio along the lines of Albert’s approach.

FIGURES five and six supply examples of soloing in Albert’s style in the context of a swinging 12-bar blues. FIGURE five begins with unison G notes on the best two strings. On beat four of bar 3, I use a reverse rake to speedily descend the third, fourth and fifth strings. Albert always picked with his bare fingers, but this approach can also be accomplished with a choose.

Notice in each examples the frequent use of open strings and enable them to ring with each other. Collins phrased his licks in a quite distinct manner, and one of his signature techniques is demonstrated in bars four and five of FIGURE 6, as quickly trills are sounded in between the fifth of G, D and the sixth, E.

Be sure to listen to the live version of “Frosty” from Frozen Alive! to knowledge the complete breadth of Albert’s musical inventiveness. It’s at the really bottom of this story.


Guitar World

Best POSTS: This Week’s Most Read Posts On Hypebot

6a00d83451b36c69e201bb096081e6970d-150wiSome of the most well-known Hypebot articles leading up to the Holiday weekend included speculation more than no matter whether the Fifty Shades Darker soundtrack can live up to its predecessor, the influence of the ‘Drake’ effect on the music market, and ten crucial music advertising and marketing predictions for 2017.


Bleachers, “I Wanna Get Better”Nobody close to me has ever died…

Bleachers, “I Wanna Get Better”

Nobody close to me has ever died (except if you count the girl that I used to be), so in that sense I do not relate to Jack Antonoff. He lost his 13-year-old sister when he was 18 and he wrote “I Wanna Get Better” about his experiences. But I am formally in recovery and for that, this song resonates with me.

When I was a senior in high school, my AP Lit class was discussing Sylvia Plath’s The Bell Jar and I got into an argument with my pal Edward about Plath. He mentioned that she was downright anti-Semitic and self-aggrandizing in her discomfort but I had the a single-track thoughts such that I totally identified with Sylvia as I referred to her. We have been both thin, quite, and if I’m becoming sincere, clinically depressed young ladies and we have been enormously angry at the world for letting us get the way we were. Five years later, I’m nonetheless great friends with Edward and I’m far more critical of Plath than I was at 17, but I nonetheless can’t entirely shake the association with her and her melodrama.

I spent years and years in a lot of pain. I create that down and I currently am hesitating due to the fact I hate admitting how significantly I hurt. As Leslie Jamison stated, sensible girls do not cry pain. There are specific words I could use to describe what occurred to me but now, those words are not as critical as what those words mean for me. There have been weeks where I was utterly manic, I would remain up for 4 nights at a time, living on coffee and apples and Diet regime Coke and feverishly writing math proofs and papers and twirling, refusing to stroll in a straight line, creating guys I employed to sleep with gloriously uncomfortable with my presence in their lives. But there have been days where I laid in bed for 16 hours a day and drank for the other eight. I held the record for most absences in AP BC Calculus, which I don’t know if I must actually be proud of. There was by no means one without the other and I was under the impression that everyone was dealing with the same factor that I was. But the factor is, they weren’t.  

Adrienne Rich wrote “I want to go on from right here with you fighting the temptation to make a career of discomfort.” I feel about the men and women who I adore and how they relate to the discomfort I have gotten myself into and out of. There are the acceptable methods to deal with discomfort, and there are the unacceptable, heinous, godforbidden ways to deal with discomfort, which I am well versed in. You think about ladies in discomfort as sad pill-popping housewives in brightly colored dresses, frigid neurotic blondes freezing and frozen, tragic French prostitutes with fake flowers in their hair. Emma Bovary trying and failing to commit suicide, Betty Draper shooting pigeons due to the fact of her husband’s infidelity, Satine dying, dying, dying all for love or more accurately, poverty and a lack of medication. But what does it all even imply?

In Mask Magazine, Larissa Pham writes, 

“Pain has an aesthetic that is why we use anesthetic for its removal. It is quite glamorous to suffer but everyone knows you have to do it the proper way, with grace and generosity. Otherwise your discomfort is as mundane as everybody else’s and no one wants their discomfort to really feel anything much less than uniquely palpable… What’s pretty: anorexia, cocaine, meditation. Not fairly: binge drinking, vomit, subtweeting.”

I’m quite very good at toeing the line amongst fairly and ugly and I always have been. I am fairly, in the traditionally tiny sense, “Doll perfect girls with angry black hair, stomping their heels, demanding, demanding, demanding.” But, I’ve had experiences that render my prettiness virtually void. I’ve binge drank before and it’s gross, eight shots of tequila in 1 night and I was nevertheless sober sufficient to bear in mind all the crying simply because of too a lot practice drinking. I blogged my discomfort, or rather I blogged my fury and wrote down the wide open wound of my heartbreak and I wasn’t supposed to since I ought to understand to maintain my mouth shut when males hurt me. The appear of becoming in discomfort is by no means just about the discomfort itself but rather how it can be viewed voyeuristically, and because I was so scared of living up to that image, I went the other way.

For a extended time, I was intent on placing on a show named the Girl Who Was Beyond Pain, and that was the biggest lie I ever told. I have a theory about the East Coast, especially New York City individuals, that they let their wounds fester and scab over with the poison still inside of them by no means letting themselves heal or even bleed. I on the other hand let my wounds openly gush out, I metaphorically pour alcohol and salt on them to disinfect due to the fact I want to be beyond the pain one day, I want to exist as a individual who does not suffer. I want to be entirely complete, not partially broken and inclined to start bleeding out with no warning, and I do not know if I’ll ever succeed but I know that I have to try. I don’t know if I’ve been like this forever or only since I realized the depth of every thing that I could see inside the globe, and what I would have to withstand in order to survive in it. But I am visceral in my building and I let folks see it in me and even though I’ve stopped the bulk of my “Dark Dhaaruni Antics” as I get in touch with them because of increasing up and picking comfort over vindication, people do not overlook. I reduce off eight inches of my hair to “Pyro” in the co-ed bathroom of my freshman dorm, I wrenched off all my black sparkly acrylic nails in a fit of heartbroken outrage on my 20th birthday simply because I want to feel some semblance of pain and the drugs I had taken on a whim prevented me from performing so, I drank and I drank and I drank, mostly whilst underage, and absolutely nothing produced it go away till I stared it straight in the face and refused to turn back.

I ultimately chose “I Wanna Get Better” to create about for this week simply because right after years of being in a profound quantity of pain, it wasn’t adequate for me. I wanted to get greater. I wanted to reside up to my prospective, I wanted to be okay following years and years of not becoming okay, I wanted to stop getting the girl that boring guys create cigarette soaked diatribes about as that girl who died who they were madly in adore with and in no way got to confess their infatuation to. So, I sat down and stared at myself in the mirror and I thought about what I had to do. I took time off college, I went to more than a few psychiatrists, numerous therapists, and I found what worked for me. I take medication that thankfully my insurance covered and I started to create. I write about what I went through, about the books that got me via it all, and almost everything in amongst and I’d like to consider I’m worth reading.    

Last year, exactly a year from right now, for OWOB’s Theme Week, I wrote about obtaining my heart broken. But this year, I’m not reveling in how I was hurt, I’m celebrating how far I’ve come and for that I continue to listen to “I Wanna Get Greater.”

– Dhaaruni Sreenivas

Dhaaruni previously wrote for OWOB about Lana Del Rey and Florence + the Machine.

One particular WEEK // 1 BAND

Assessment: Breedlove USA Concert Moon Light Sitka-Mahogany


I not too long ago visited the Breedlove factory in Bend, Oregon, and from what I witnessed, I can inform you this: 2017 promises to be a large year for Breedlove.

The company will be implementing some notable groundbreaking innovations in sound profiling technologies on certain models in their acoustic series that will make many guitarists rethink how their personal acoustic compares.

Without revealing as well considerably, a fantastic place to hear where Breedlove is headed is by checking out their USA Concert Moon Light Sitka-Mahogany guitar. This gorgeous brand new acoustic is portion of Breedlove’s Big Sound guitars that puts a wonderful deal of emphasis in note projection and dynamically responsive acoustic tones.

The USA Concert Moon Light also functions a single of the thinnest finishes in their line, delivering a complete-bodied acoustic sound in an extremely simple-to-play guitar.     

The USA Concert Moon Light is unbelievably lightweight at just more than three and a half pounds, and characteristics a razor-thin satin finish that tends to make the guitar really feel lively. The guitar’s inviting concert physique hugs the waist and feels comfortably snug. Combine its low action on a 20-fret mahogany neck with ebony fingerboard, 1 3/4-inch nut width, and this guitar plays effortlessly. Breedlove is a green organization and salvages its Alaskan Sitka spruce for its top from fallen trees in the Tongass National Forest, while its Honduran mahogany used in its back, sides and neck are responsibly harvested from Guatemala.

The Moon Light is constructed employing Breedlove’s sound profiling technologies that targets optimal resonance frequencies on their tops and backs, resulting in thinner tops, bigger backs and a smaller sized soundhole, all of which in turn produce its surprisingly complete and robust voice. The guitar also characteristics LR Baggs EAS VC beneath saddle pickup that is so tucked away underneath the soundhole you barely know it is there.

The most noticeable issue about the USA Concert Moon Light is how assertively loud this guitar is acoustically. The guitar rings out with effective harmonics and is intensely detailed in how nuanced its voice is playing loud or soft. It also sings vibrantly with wealthy and complex lows, a sweet midrange, and with crisp and clear highs. You will usually hear those descriptions applied to most acoustics but here, the Moon Light nails those coveted acoustic tones with balanced complexity regardless of whether you lightly fingerpick or strum tough.

Of course, the Moon Light’s close to excellent setup makes it a real pleasure to play, but its featherweight that rests comfortably on your knee will make you neglect that you have been playing it for hours.

STREET Price: $ 1,499

The Breedlove USA Concert Moon Light Sitka-Mahogany is an impressive acoustic with a huge voice that breathes focused depth and shimmer across the entire frequency range. 

Guitar World

St. Vincent Discusses Upcoming Album, Says it is the “Deepest, Boldest” Perform She’s Carried out

In the cover story for the February 2017 issue of Guitar World, St. Vincent (aka Annie Clark) teased an the adhere to-up to her “mundane futurism”-y (per Flavorwire’s own Tom Hawking) self-titled 2014 album. The article reveals will be released in Spring, 2017 — though no date’s been announced but, nor has a title. Even so, what is revealed is that Clark really likes this factor. Which, effectively, any artist starting to market their next perform should at least pretend to but the way she talks about her writing approach right here makes it look like for her, it stands out from the rest.

Describing it as a “real sea change” to her sound — which, it should be noted, definitely changed from the string-heavy floridness of Actor to the dead-eyed electricity of St. Vincent — she mentioned she’s been capable to “step back and reflect and not just be in the tour, record, tour, record cycle that I’ve been in for about ten years.” She continues:

I believe it’ll be the deepest, boldest function I’ve ever done. I really feel the playing field is really open for inventive people to do what ever you want, and that risk will be rewarded—especially now that we have such high stakes from a political and geo-political standpoint. The private is political and for that reason the political cannot assist but influence the art. And only music that has one thing pretty genuine to say is gonna reduce the mustard.

Guitar World has posted further bits of the interview on-line, but the full function seems in the print version.



‘Passengers’ Buries Its Charismatic Leads Under a Heap of Retrograde Clichés

In a cavernous white chamber aboard the Starship Avalon, we hover above a glass-domed sleeping pod flooded with golden light a fog clears to reveal the face of Jim Preston (Chris Pratt). The only other face within this collective of five,000 souls that Passengers lets us see is that of Aurora Lane (Jennifer Lawrence), which is fitting: All this film required to do was convince us that the heat between Lawrence and Pratt is powerful enough to propel us by means of two hours in their company, and almost no 1 else’s.

You had a single job, Passengers.

Whatever Passengers is “about,” at its heart it is about watching two very lovely and charismatic stars make eyes at every other. But the film, written by Jon Spaihts and directed by Morten Tyldum, squashes each actors’ personalities under a mountain of clichés and a truly disturbing message. As an argument for human intimacy over machine-induced isolation, Passengers is an utter failure.

Jim and Aurora have signed up to invest 120 years in “suspended evolution,” by which time the Avalon will have reached its location: The planet Homestead II, one of several colonies that “offer an alternative” to Earth, which has turn out to be a vague dystopia full of onyx-black high-rises and robots that have rendered mechanical engineers like Jim obsolete. Plot descriptions floating about the web prior to the film’s release implied that both Jim and Aurora’s pods open prematurely as a outcome of a mechanical error, which would’ve been a silly enough idea — that the two folks out of 5,000 who wake up early just take place to be the gorgeous and charming Jennifer Lawrence and Chris Pratt. Ah, the magic of the motion pictures.

But that’s not what takes place. Instead, Jim’s pod inexplicably opens and he wakes up. Following the directions of a friendly hologram, he collects his luggage, gets dressed, and goes to meet the fellow passengers in his “learning group.” But he’s the only one particular there. Aside from a friendly android bartender named Arthur, played by Michael Sheen, Jim is the only person awake on the entire ship — which is nevertheless 90 years away from its location.

Chris Pratt Michael Sheen

All Jim is left to communicate with are machines, a familiar brand of frustrating. “Why am I alone?” Jim asks the disembodied woman’s voice conducting his orientation. “We’re all in this collectively,” she cheerfully replies. He finds a machine that lets him send a message back to Earth, which informs him a reply will be forthcoming in 55 years: “We apologize for the delay. That will be 6,012 dollars.”

Very first, Jim tries to fix his broken pod employing each and every tool he can uncover on the ship. Then he gives up and breaks bad, taking over a swanky initial-class suite and enjoying luxury amenities like sushi, a robot-enhanced version of Dance Dance Revolution, and a swimming pool with a spectacular view of the stars. He grows his beard extended, a castaway in space. He begins to fall apart. Just before suiting up for a recreational spacewalk, he laces his fingers by way of the gloved hand of an empty spacesuit.

It’s when he’s at his lowest point that Jim first spies Aurora, his sleeping beauty. He appears up her profile on the ship’s database and falls in love with it. He laughs at her dumb jokes he tells Arthur about her. “You find the ideal lady, correct in front of you, but she’s completely out of attain.”

Not entirely. Jim’s a mechanic he knows his way around a manual. Soon after a period of deliberation just long enough to drive house his level of desperation, he springs her out, telling her they both awoke simply because of a mechanical failure. It’s a tidy message, if not precisely the one Passengers intends to send home: Man is bored, so man ruins woman’s life.


If you’ve noticed a movie prior to, you know what’s coming. Aurora will understand the truth, and, sooner or later, she’ll also discover to enjoy her captor. This story is as old as the motion pictures, turning up everywhere from rom-coms (Overboard, Excess Baggage) to screwball comedies (The Cannonball Run, Sleeper) to Hitchcock thrillers (Saboteur).

Visually, Passengers is a mash-up of references so obvious, they scrub the film of any prospective for aesthetic awe. The bar where Sheen’s Arthur lives is a spitting image of the creepy ghost bar from The Shining the pods housing the slumbering passengers look just like the sleeping chambers in 2001: A Space Odyssey and Alien the image of Jim, at first alone and then with Aurora, heading out into the black void in a spacesuit tethered to the ship brings to mind Sandra Bullock and George Clooney’s space tango in Gravity. The ship’s interior is so blandly unimaginative, it’s as if the production designers took their inspiration from a Pinterest board of luxury shopping malls.

But the wasted talent is far more disappointing than each the film’s banalities and its retrograde storyline. Jim’s early raffish power cools after Aurora is awake, and they grow to be simply Man and Woman. He has paid the fundamental fare, subsidized by the business, which will gather a percentage of his wages for the rest of his life on the colony she’s paid the “gold” fare, which entitles her to perks like much better meals and lodging. He’s sensible, strong, great with his hands, from the sensible city of Denver she’s a romantic, a writer from New York whose father was a Pulitzer Prize-winning author. It is not lengthy ahead of we see repeated shots of Aurora floating in the pool in a white mesh bathing suit. When Jim describes his dream of building a house in the new world, she goes moon-eyed.


In the finish, Shannon’s Arthur — a legless android who shimmies back and forth behind a bar on a mechanical track — has far more character than Aurora and Jim combined. As the film wore on, a element of me anticipated a Westworld-style twist, in which we’d find out that Aurora and Jim have been robots all along.

“Do you trust me?” Jim asks as he leads Aurora out onto the ship’s deck for her inaugural spacewalk. Aurora, girl, the answer should always be, “No.” Jim takes her hand and leads her into the dazzling black evening, and she rewards him with sex. This is prior to she finds out the truth, of course. But it is only a matter of time ahead of she accepts her fate and offers up her dream of a new globe to consume sushi in space with Jim. What decision does she have? He’s all she’s got. As Passengers so plainly affirms, man’s god may be technologies, but woman’s god is man.


10 Charming 2017 Calendars for a Enjoyable and Inventive New Year

The year 2016 was frequently difficult and troubling (to put it mildly), but don’t let that stop you from setting optimistic and productive intentions for a vibrant new year. Get a inventive boost and a great dose of cheer with these charming 2017 calendars that feature gorgeous design, humor, and lots of inspiration.


Some Early Hits! (Mid 1960s Glory)

Considering that the Stones are a singles-heavy band with more hits to their name than even I, a self avowed superfan, can hold track of, we should reckon with their early catalog with unfortunate brevity. An exhaustive and complete accounting for all of their mid-1960s triumphs would be not possible so right here are a couple of representative offerings that show the Stones at their lyrical and musical very best.

Get Off of My Cloud

DO NOT BUG ME! The teenage anthem par excellance that somehow manages to work even later in life. If you are reduce off in traffic, have a neighbor who will not stop pestering you, or are just in a foul mood and want no a single to bother you, this three minute concoction of rat-a-tat drums and howling vocals quickly becomes your own. After heard, it is not effortlessly forgotten. Pop power in its most distilled type

Lets Spend the Evening Collectively

An early(ish) Stones adore song.  Peppy music with the dirtiest of lyrics flying in below the sonic radar. Jagger sells this song each and every time its played from a lip-synched appearance on prime of the oops in 1967 to concerts 31 years later in 1998.

Mother’s Small Helper

The trippy and the square bump into each and every other in this delightfully inverted masterpiece. Rather than a tale of their personal drug experimentation — just taking off at this point in their profession — the Stones supply up a slice of suburban purgatory. ODing mothers stroll the streets of Jagger/Richards’ technicolor acid dream of white picket fence England (or America). The wobbly sitar line that drifts throughout provides the song its punch and makes it stand out even following repeat listens.

19th Nervous Breakdown

Jittery guitars tangle with lyrics so on-edge they practically fly apart. The clear implication is that, alternatively of a birthday, the young protagonist (“the sort of individual you meet at particular/dismal dull affairs”) is preparing to fall to pieces. The litany of experiences that have created her this way (wealthy, neglectful parents a “fool who actually messed [her] mind becoming spoiled as a child) are laid out and the singer tries to grapple with the breakdown he sees coming. The song itself is conflicted about this central character. There is empathy in the opening lines, the rest of the song is an exploration of the condition observed at the starting. The musical highlight comes in the course of the musical breakdown in the middle of the song where a riff cribbed straight from Bo Diddley can be heard shining via for a couple of valuable measures.

One particular WEEK // One BAND

The Final Time

Possibly the finest (practically) breakup song ever written. Jagger sings of his lamentably lady really like who “don’t attempt very challenging to please me.” In response to what we are lead to believe are numerous injustices, he warns, “this could be the final time.” The genius of the song lies in the word “could.” Since of that we see the singer, who could other wise be a accurate cad, for what he really is: hopeful. He sees his connection as doomed, he knows that he has been repeatedly wronged, but he nevertheless gives this song as an emotional revelation, albeit a bitter a single, that he is prepared to leave even though it is the final issue that he desires. This narrative element of the song is underpinned additional with the line “I’m sorry girl but I cannot stay/feeling like I do today.” This line functions overtime. Very first, there is the explicit apology at the start and, second, there is the delineation of timing. Jagger isn’t saying that the partnership is all bad or that there is no hope for it to be repaired, nonetheless, he is explicit: proper now, these days,issues are NOT working out. The restriction of the time frame and the area that is left for the listener to think about the dull partnership that surrounds the moment we are presented with, tends to make the song come alive.

The conclusion of every single chorus, and the song itself, is that Jagger himself does not know if this will be the last time — that he is wronged, that he feels this way, that he has the realization that the connection that he is in is not what he wants — but he wants to make it clear: some thing has changed and he is ready to leave. The conversation between the characters that takes place right after this song is one we do not get to hear spelled out, the months or years that lead up to it are not explicitly described, but the feeling we are left with is a single that includes the weight of all of that context. A brilliant piece of pop that, much like Bruce Springsteen’s “Promised Land” explodes the concept of what the form can include.

A single WEEK // One BAND